CREE PARA ENTENDER. (TheXFiles)

Obsesionada con The X Files y The Mentalist. Totalmente JISBON.

Agosto 1, 2014 at 7:09pm
76 notas
Reblogueado desde antill

Julio 29, 2014 at 12:05pm
1 022 notas
Reblogueado desde patlaurie

The X-Files Season 7 | Agent Fox Mulder

"l’m not gonna risk losing you."

(Fuente: patlaurie, vía alittlebitinlovewithamentalist)

Julio 21, 2014 at 6:13pm
854 notas
Reblogueado desde spencersreids

(Fuente: spencersreids, vía idinaamenzels)

Julio 19, 2014 at 9:59pm
165 notas
Reblogueado desde snogger-davidandgillian
snogger-davidandgillian:

“They love each other, on a profound level such is rarely found in life. I think people sense that, and that’s why they love these two characters and they love them together. They’d do anything for each other. They’re soul mates.”
(Frank Spotnitz, April 2001)

snogger-davidandgillian:

“They love each other, on a profound level such is rarely found in life. I think people sense that, and that’s why they love these two characters and they love them together. They’d do anything for each other. They’re soul mates.”

(Frank Spotnitz, April 2001)

2:38pm
55 notas

Julio 17, 2014 at 4:13pm
110 notas
Reblogueado desde 5disilk

3:57pm
156 notas
Reblogueado desde peppertower
peppertower:

TM: Daily Jisbon Life Series 1 by Petit-J

peppertower:

TM: Daily Jisbon Life Series 1 by Petit-J

3:55pm
102 notas
Reblogueado desde perceptivehands

(vía perceptivehands)

3:48pm
8 notas
Reblogueado desde red-badges
red-badges:

2x03 Red Badge

red-badges:

2x03 Red Badge

Julio 16, 2014 at 3:19pm
391 notas
Reblogueado desde xfiles-behind-the-scenes
xfiles-behind-the-scenes:

From the script for "Fight the Future:  INT. HALLWAY OUTSIDE MULDER'S APARTMENT - NIGHT

     WIDE ANGLE FROM END OF HALL where we see Scully,
     leaving Mulder's apartment. Moving at a hurried clip to
     the elevator -- TOWARD CAMERA. As if anticipating her
     own impulse to turn around and go back. As she moves
     into f.g. Mulder exits his apt. door.

                            MULDER
               You're wrong --

     He hurries to catch her. As she turns on him.

                            SCULLY
               Why was I assigned to you? To debunk
               your work. To reign you in. To shut
               you down.

                            MULDER
               You saved me, Scully.
                      (off her look)
               As different and frustrating as it's
               been sometimes, your goddamn strict
               rationalism and science have saved me
               a thousand times; have kept me honest
               and made me whole. I owe you so much,
               Scully, and you owe me nothing.
                      (beat)
               I don't want to do this without you. I
               don't know if I can. If I quit now,
               they win.

     She is silent, moved. In spite of all her desire not to
     be. She moves to Mulder, holds him. They break slightly
     and she looks up at Mulder with deep respect, admiration
     and... kisses him on the forehead. When...

     ...suddenly a physical intimacy we've never seen. A
     heat and passion that can't be denied. The opportunity
     for the inevitable has presented itself.

     The moment of truth has arrived. Mulder is staring at
     Scully as she's looking back at him. His head moves
     slightly toward hers -- as one of his hands moves up to
     her neck, drawing her to him. Where there is hesitation
     on her part, there is also desire. When:

                            SCULLY
               OUCH!!!

xfiles-behind-the-scenes:

From the script for "Fight the Future: 

INT. HALLWAY OUTSIDE MULDER'S APARTMENT - NIGHT WIDE ANGLE FROM END OF HALL where we see Scully, leaving Mulder's apartment. Moving at a hurried clip to the elevator -- TOWARD CAMERA. As if anticipating her own impulse to turn around and go back. As she moves into f.g. Mulder exits his apt. door. MULDER You're wrong -- He hurries to catch her. As she turns on him. SCULLY Why was I assigned to you? To debunk your work. To reign you in. To shut you down. MULDER You saved me, Scully. (off her look) As different and frustrating as it's been sometimes, your goddamn strict rationalism and science have saved me a thousand times; have kept me honest and made me whole. I owe you so much, Scully, and you owe me nothing. (beat) I don't want to do this without you. I don't know if I can. If I quit now, they win. She is silent, moved. In spite of all her desire not to be. She moves to Mulder, holds him. They break slightly and she looks up at Mulder with deep respect, admiration and... kisses him on the forehead. When... ...suddenly a physical intimacy we've never seen. A heat and passion that can't be denied. The opportunity for the inevitable has presented itself. The moment of truth has arrived. Mulder is staring at Scully as she's looking back at him. His head moves slightly toward hers -- as one of his hands moves up to her neck, drawing her to him. Where there is hesitation on her part, there is also desire. When: SCULLY OUCH!!!